Tururi virtuale

Ariadna
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Nr: 162-165
January-April 2018

Meșteșuguri rurale și urbane în inima Brașovului
Rural and Urban Crafts in the Heart of Brasov
Handwerk aus Land und Stadt im Herzen Kronstadts
Falusi és városi mesterségek Brassó szívében
Pictură naivă din Șcheii Brașovului
Naïve Art in Șcheii Brașovului
Naive Malerei in der Kronstädter Oberen Vorstadt
Naív festészet a brassói Porondról
Păpuși tradiționale românești
Romanian traditional puppets
Traditionelle rumänische Puppen
Hagyományos román babák
Sculptură în lemn
Wood sculpture
Holzskulptur
Fafaragás
Jucării croşetate
Knitted toys
Gehäkelte Spielsachen
Horgolt játékok
Croitorie în lut
Tailoring in Clay
Schneiderei in Ton
Agyagszobrászat
Pictura pe lemn
Painting on wood
Malerei auf Holz
Fafestészet
Ceramica de Horezu
Horezu ceramics
Die Horezu-Keramik
Horezui kerámia
Ouă încondeiate din Țara Bârsei
Easter eggs in Țara Bârsei region
Bemalte Eier aus dem Burzenland
Barcasági írott tojások
Figurine din pănuşi
Maize husk figurines
Maisblattpuppen
Csuhébábuk
Manufactură tradițională în piele
Traditional leather manufacture
Traditionelle Lederhandarbeit
Hagyományos bőrmanufaktúra
Banca de modele tradiționale
Traditional models' bank
Die Datenbank traditioneller Muster
Hagyományos motívumok bankja


Traditional models' bank


     


The folk artisans, Carmina and Peter Brâncoveanu, managed to make a one of a kind product: painting on ceramics by installing old models from the ie (Romanian traditional shirt) and seams from the Romanian area. The final product is a fantastic one, because the patterns on the ie goes to the ceramics from where they return to the ie and the seams. For 15 years, the two creators managed to gather around 6.000 models they transposed on the ceramics. The entire work is the object of some fairs and exhibits in the country and abroad.

Saving the first ie

?I started by saving an ?ie? of our great grandmother. The ie was deteriorating, we tried to save its colour, its drawing and its spirit. It turned out great and we showed it to our close friends. They also wanted to save their roots and to recover the traditional clothing. We have experienced impressive, living moments, because we saw our grandparents going to church and how they used to respect God by keeping themselves clean, nice and dignified. The traditional clothing was a connection between human and divinity?, told us Mr. Peter Brâncoveanu.

The path of the traditional pattern

?Now we got to 6.000 models transferred on the ceramics from old seams and from the ie. We are living an amazing thing, because there are a lot of sewers asking us to give them access to our traditional models? bank to use them and return them to seams. This gives us the feeling that we have not lived in vain for 15 years and that this circle is closing. We started with the saved ie, with the model that got to the ceramics and to its return from the ceramics on the seams. It is truly fantastic?, told us the Brâncoveanu family about the activity carried out so far.

Specificity of the area

Carmina Brâncoveanu is the one who manually paints the model taken over from an old traditional cloth or from the seams and manages to make veritable works of art. The models are gathered from several areas of the country, each of them containing identification elements specific to the area. At first, the paintings were made on paper or directly on the canvas. Later on, after a lot of practice, they got on the ceramics.


Contact details: 0757.109.842, email: petrebranco@yahoo.com, artcarmina@yahoo.com
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